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Can I open up? Is it safe or not?: Kendrick Lamar, Lauryn Hill, and the Deconstruction of Celebrity
Our culture has a celebrity problem. I’m not suggesting this is a new issue: an insidious expectation that famous artists can, and will,...
Nov 12, 2023

‘Finding my way through Sonia Boyce’s ‘Feeling Her Way’ exhibition.
Sonia Boyce’s OBE, immersive exhibition at The Leeds Art Gallery closes on the 5th of November 2023, and it’s an experience you wouldn’t...
Nov 3, 2023


Esther Manito ‘Hell Hath No Fury’, A Review
Reflective and thought-provoking, Esther Manito uses her hour on stage to express her experiences as a woman in her 40s as well as...
Oct 19, 2023
Alice Neel Exhibition: A Review
Alice Neel’s latest exhibition ‘Hot Off The Griddle’ showing at the Barbican, London features a chronological display of her paintings,...
May 8, 2023


Education, Education, Education: A Review
Education, Education, Education - its title inspired by the Tony Blair line, in a promise for better funding and support for public...
Apr 18, 2023


Review: Leeds University Theatre Group’s ‘Rules for Living’
Rigorously ruled, hilariously explosive and heart wrenchingly real – Alexandra Packer reviews Theatre Group’s first show of the term,...
Mar 17, 2023

Almost Maine review: Mediations on love and its transmutable forms
Prem Dosanjh reviews... Set in the fictional town of ‘Almost’, John Cariani’s two act play is comprised of nine separate duologues, all...
Mar 17, 2023


OPEN THEATRE’S SWALLOWING THE WHALE IN REVIEW
'A truly absorbing, clever and new piece of theatre'. The space felt completely transformed upon entering into Stage One for Open...
Mar 16, 2023
A farewell to childhood in Cooper Raiff’s Cha Cha real smooth:
‘You only have you. How scary. But how amazing.’ I am yet to have a conversation with someone who has also seen Cooper Raiff’s 2022 indie...
Feb 17, 2023
Emily Ratajkowski’s ‘My Body’: A Review
Madeleine Rousell reviews... When Emily Ratajkowski’s collection of essays ‘My Body’ came out in 2021, countless opinions were given on...
Feb 10, 2023


Hannah Starkey: In Real Life
The Hepworth was in full bloom when I ventured over on a brisk icy morning last week. But within the blue skies and streaming sunlight...
Jan 22, 2023
Tom Ward’s ‘Anthem’ Review
Kate Moxon reviews... After his effortless success on ‘Live at the Apollo’, Tom Ward is bringing his new show ‘Anthem’ to Hyde Park Book...
Jan 13, 2023


A Review of “Harry’s Birthday Party” by the Leeds Tealights
Hannah Giraudeau reviews A Review of “Harry’s Birthday Party” by the Leeds Tealights: With Support Acts Evie Cowen and Beau’n’Slick...
Dec 21, 2022


A Review of Look Sharp Theatre’s ‘A Devil Inside’
Julia Brookes reviews... I had no idea what to expect upon arriving at Banham Theatre last week for Look Sharp Theatre’s latest...
Dec 21, 2022
Come for the cover, stay for the book: Cleopatra and Frankenstein
Madeleine Rousell reviews... If, like me, you grew up obsessed with Gossip Girl and New York, Coco Mellors’ debut novel is perfect for...
Dec 9, 2022
The Rise of Character Comedy
Kate Moxon talks the rise of character comedy... Throughout the Edinburgh Fringe and beyond, character comedy has thrived however,...
Dec 5, 2022


Theatre Group's Jerusalem
Callie O'Brien reviews... Image: Johnny Byron (Tom Grice) stood, surrounded by partygoers outside his trailer, tells tale of his...
Nov 15, 2022


Review: Faye Webster live at Brudenell Social Club
Prem Dosanjh shares his thoughts on Faye Webster’s latest gig in Leeds. Self-described as being “far away” from her home of Atlanta, Faye...
Nov 15, 2022


Beautiful and Devastating: Solomon and Atlanta is almost everything I had hoped it would be
Callie O'Brien reviews... When I walked into the packed-out Banham Theatre the other Tuesday Night, I sat down expecting to be washed...
Nov 14, 2022


PJ Harvey: Dark World of Orlam Comes To Life At Leeds Assembly House
“I see myself as a maker. I’m somebody who creates things.” This is how PJ Harvey describes herself to poet Ian Dunhig and the audience...
Nov 14, 2022
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